Patrick Goldstein: “Three of this year’s Oscar best picture nominees have something unusual in common — they have leading characters who are open, self-proclaimed Jews.”
“A Serious Man,” “Inglourious Basterds,” and “An Education.” I confess that I haven’t seen any of these films as I try to avoid Jewish navel gazing whenever possible. The first is a satire by the Coen Brothers of a Jewish community in a 1967 Midwestern town. The second is Tarantino’s well known movie about a fictional Jewish SWAT team that scalps Nazis. The third is about a Jewish real estate speculator who seduces a British adolescent.
Some in the Jewish community have charged that these films are anti-Semitic and even resemble Nazi propaganda. “Inglourious Basterds” depicts Jews as bloodthirsty monsters. Trevor Lynch of TOQ Online noticed this in his review. ”An Education” is about an unscrupulous Jewish pedophile. “A Serious Man” is about a staid Midwestern physics professor with a bitch for a wife and two insufferable brats as children.
It is worth observing here that there is a debate about these movies in the Jewish community. In contrast, the Europhobia of “Avatar” hasn’t made similar waves among White Americans. We’re not allowed a positive sense of racial identity that could serve as the basis of social criticism.
I think most intelligent people are aware of the racial angle of Avatar, the problem is that we don’t have powerful, influential people in our community who are willing to discuss it openly.
I was talking to a liberal Jewish guy I work with who had seen Avatar and he made a negative comment to the effect that the plot was “cliched” and “formulaic.” He also compared it to “Dances With Wolves.” I know several other non-WN who said things along those lines.
Goldstein writes:
Negative depictions of Jews raise the age-old question. | Cover Story | Jewish Journal:
This is an age-old question because reality is “anti-semitic”.
Gilad Atzmon’s Review of ‘A Serious Man’
A Serious Man is a cinematic allegory of Jewish cultural detachment from nature. It is a masterpiece that elaborates on the abnormalities of the Jewish tribal existence. A Serious Man does not explicitly touch upon issues related to Israel, Zionism, occupation, organ harvesting or anything distinctly identified with the Jewish state. It instead reflects on Jewish Diaspora life, Jewish segregation and the misery of operating within the kosher tribal template.
It is about Jewish alienation both natural and human. Yet, A Serious Man also portrays a clear message regarding Israel and Zionism, for Israel is the Jewish state and, in spite of the Zionist promise to erect a civilised nation, Israel functions as a Jewish ghetto and is subject to all the symptoms of abnormality conveyed by the Coens.
Full Review @ http://www.gilad.co.uk/writings/a-film-review-a-serious-man-the-poetic-side-of-self-hatred-b.html
hoping to hear from you Hunter re the proposed interview
I leave a message here because there appears no other way to contact you
worldaffairsmonthly.com
Email me at prozium1984@yahoo.com.
I will not rest until the name of this blog is changed to Auntie Semitica.
In contrast, the Europhobia of “Avatar” hasn’t made similar waves among White Americans. We’re not allowed a positive sense of racial identity that could serve as the basis of social criticism.
Trust me, the underlying Europhobia and anti-white theme in that movie goes over the typical white American’s head by a mile. It’s just another fantasy action movie for them, a distraction from their normal dreary lives.
Here is a recent news story we need to expose to wider audience…some world leaders aren’t afraid to call the USA a Jew-wrecked nation – http://jta.org/news/article/2010/01/27/1010345/former-malaysian-pm-jews-cause-worlds-problems
Well, none of the self-obsessive Jew-movies won. Neither did “Avatar”. Something called “The Hurt Locker”, a flick putting a positive spin on the Zionist-Imperialist war in Iraq, cleaned up most of the Academy Awards. Apparently made the presenter, Barbra Streisand, fairly unhappy. Typical Hollywood Jew: pushing for anti-Muslim wars behind the scenes, then backstabbing the country when the wars occur. In a larger sense, this is called Having Your Cake And Eating It Too…something which Jews do with a unique intensity, and which – like over-reaching – will play a major role in their eventual downfall.